"THE LANGUAGE OF LIGHT" has introduced itself in small visual parts, each piece seeming to come at a time when the idea seems stuck with no place else to go. It came disjointed, a piece of music and a meditation, a idea for magic, a flash of color and movement, and then the idea suddenly combines, to my delight, as a complete concept.

After the first production I expected to start getting information on the next two acts. While I know what they are about, I am not entirely clear on what form they may take- I was not convinced the first act would turn out to be a dance! As it turns out I am being nudged into exploring the way in which this initial performance can be taken to other communities and involve new young dancers, new choreographers and new band. The ideas seems to jump out at me once it seems to solidify. The arc of the show itself lends itself to using all types of dancers, the polish of the professionals seems icing on the cake, the metaphor completes with their help. The overall warmth of the show invites new communities to bond over it's message and collaborate in this "act of creation".

The New Economy as I see it also lends itself to this type of performing. While the world seems to struggle financially we can create small economies locally, keeping kids taking dance, keeping choreographers busy, putting theatres to work, keeping production people sharp with the latest technology. The multiude of ways we can support and feed such an idea is fasinating. The private sector and the arts foundations can all play a part in keeping artists working, kids learning and our spirits growing.

"The thing I like about rock-and-roll gigs was that there were almost no sets. I was fascinated by how lights could completely redefine space. You pretty much decide the image--the vision the spectator is going to have. It's an incredible power--to take a complete space, a piece of scenery or an action, and decide that this is the vision that people are going to have, and this is how I am going to try to influence them. Because you are obviously trying to evoke something. And I thought that this was pretty exciting.

From an interview with Luc Lafortune, Lighting Designer for Cirque Du Soliel

Luc Lafortune is one of my hero's. People that we emulate and admire encourage us to pull ourselves to a higher level of performance and creativity. What I admire about Luc Lafortune is not just his gig, which is sweet, but the way in which he and the Cirque work. They have no set schedule, no preconceived ideas of what the work will look like or evolve into. A wonderful, free way in which to work in the Theatre. Cirque has carved out TIME to create. This gift they have given themselves is the greatest gift one can get in the live arts. It seems there is never enough time. Mr. Lafortune has the good fortune to experiment and dabble in his art, a gigantic theatre space, to perfect his vision. Wow!

"The Language of Light" has some very exciting lighting requirements we will be fitting into our limited time. Because it speaks to the nature of the "light within" and must try accurately to reflect the feeling and energy of this powerful subject. We intend to evoke, invoke, a vision, and provide an uplifting experience, within the realm of spirit, propelled by rock and roll and the power of dance. Please join us October 3rd thru 5th at the Aspen District Theatre.